She goes her own way and does not belong to any school. The motifs, themes and creative tasks she deals with are traditional signs, symbolism and her own symbols. She asks questions about what holds the world together in the most elementary sense – the hidden connections between the macrocosm and the microcosm.
Natalja Nouri draws microorganisms, which she uses as a metaphor for galaxies to demonstrate the unity of microcosm and macrocosm.
The genetic chain is one of the artist’s concerns and appears again and again in her works to show how the human being is connected to nature and inextricably interwoven with the entire cosmos. Regardless of the scale of her art, she works with a precision that is accurate down to the last millimeter. Nothing is left to chance; even the smallest detail becomes a miniature of astonishing veracity.
Natalja is tireless in her search for symbolic and allegorical representations of mental, spiritual and psychological connections. Contexts, while she creates her very own, idiosyncratic visual language. Anyone who tries to interpret her pictograms will discover that enlightenment can be found in the secrets of theology, cosmology, psychology, Kabbalah and mathematics.
Natalja Nouri’s paintings draw the viewer into contemplation and meditation. The energy emanating from her paintings in the form of currents flowing from darkness to light, from the negative to the positive and from the masculine to the feminine does not appear wild and impetuous, but somehow tamed – tamed. This impression is reinforced by the fact that many of her symbolic works are characterized by concealed or overt symmetrical structures. Her surrealist and symbolist works are thought-centered. Her use of color is purposeful, never wasteful, and approaches pure abstraction in some of her works.