Her association with Professor Shi Yang, an artist deeply rooted in China’s rich artistic traditions, was particularly transformative. It introduced her to the delicate and meditative art forms of East Asia, particularly ink painting and drawing, which emphasize mindfulness, precision, and contemplation. These qualities resonate deeply in her work, manifesting as a commitment to careful observation and a reverence for the meditative process.Lisa’s pieces transcend regional or provincial confines. Instead of depicting familiar locales or restricting her vision to the immediate, she delves into the vastness of the cosmos, exploring realms that lie beyond the grasp of time and space. She seeks not just to express her personal experiences but to elevate her art to a more universal, transcendental plane.
Yet, despite their expansive and abstract nature, Lisa’s creations often exude a sense of calmness and balance. They can be seen as visual representations of the soul, portraying its depth, beauty, and eternal quest for meaning. These artworks, while rooted in the abstract, echo the sentiments of Plato’s idea of the “beautiful soul” – a soul in harmony with itself, its surroundings, and the divine.Lisa’s art prompts introspection. It beckons viewers to reflect upon their own journeys, their origins, and the paths they tread. Her paintings, illuminated with a celestial light, stand as beacons guiding viewers away from the superficialities of the material world, encouraging them to seek truth in higher realms.Notably, Lisa remains unswayed by the often capricious demands of the commercial art world. Instead, her guiding force is her profound connection to the metaphysical and the cosmic. This commitment to bridging the East and West, by melding the artistic and philosophical traditions of both, positions her as a unique artist of our times. In her work, the piety and wisdom of the East meet the dynamism of the West, creating a symbiotic dialogue that fosters intercultural understanding and appreciation.